Suri, who earlier brought out the best of Dhananjay in Tagaru, has repeated the same in PMT.Īlso, Dhananjay, who now seems to understand the nuances of the director, has delivered what was demanded from him. Be it the dialogues or writing everything in the film is in sync and natural. Reverse screenplay style is his forte and he has employed it in this film as well, which makes it more intriguing. The director brings in the experiences of his own life and things from his surroundings. What’s so unique about PMT is its authenticity. Bloodshed and gore are typical of Suri’s films, and the director, who has scored high with Duniya, Kendasampige, and Tagaru, has yet again made a mark with PMT.

However, the downside of Seena’s life comes from his family members, and he sees an unexpected end. His sister (Sparsha Rekha) and her husband, who is a budding politician, try to help Seena in starting a new life.

They say blood is thicker than water, which is true with Seena’s life. The film is all about how the women in Seena’s life throw him out of gear. Later, Seena gets married to Girija (Sapthami Gowda), who makes his life a hell, and when he tries to find solace in Devika (Niveditha) things go out of control. But his world leaves him for a better life, and devastated Tiger leans on Sujata (Monisha Nadigar), who turns out to be a famous model. Tiger Seena is a mechanic and his girlfriend Sumithra (Amrutha Iyengar) is his world. Suri tells the story with philosophical undertones with a climax that hints at a sequel.

The two get into the world of crime but at a point in the film, they realise the human value. The other narrative is of Popcorn Devika (Niveditha), a smalltime popcorn seller.

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